Bajrangi Bhaijaan is a Bollywood drama film, directed by Kabir Khan and
starring Salman Khan, Kareena Kapoor, Harshaali Malhotra, Nawazuddin
Siddiqui and Om Puri.
It’s about Pavan Kumar Chaturvedi (Khan), a simple, Hanuman bhakt who
takes it upon himself to help a lost, mute girl, Munni (Malhotra), reach
her home in Pakistan! Watch the full Bajrangi Bhaijaan movie online,
streaming on Hotstar. Bajrangi Bhaijaan has also bagged a 2016 National
Award for the category Best Popular Film Providing Wholesome
Entertainment
Bajrangi Bhaijaan Full Movie Download Free HD . A minimal quiet young
lady from a Pakistan town gets lost on her arrival again from an outing
to India. In Kurukshetra, she meets Pawan – a sincere Hanuman Bakth –
who is amidst a test postured by his significant other’s dad. In
attempting to find her folks, he builds up a resolute bond with the
child. He tries to get into Pakistan through a way equitable to his
inner voice and later, with a savvy Pakistani news correspondent for
organization and makes the inquiry. Bajrangi Bhaijaan Full Movie
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Bajrangi Bhaijaan Full Movie Download Free HD A story that catches
the creative energy of the general population in both countries.I need
to concede, I went to watch Bajrangi Bhaijan (BB) with a considerable
measure of bias. I am not a major fanatic of Kabir Khan, have not loved
Kareena Kapoor other than Jab We Met. I am not a Salman Fan either nd
notwithstanding that I observe all his Eid discharges on first day. I
had four theories before heading off to the theater and I had made a
blueprint of the audit I would compose. For the most part it’s a set
format for a Kabir Khan Salman Khan film. Bajrangi Bhaijaan Full Movie
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Name: Bajrangi Bhaijaan (2015)
Casts: Salman Khan, Kareena Kapoor, Harshaali Malhotra
Tiger Zinda Hai Story: It’s inspired by the real-life
incident of the rescue of Indian nurses held hostage in Iraq by
terrorists and at the helm of affairs of the mission is Indian RAW agent
Tiger (Salman Khan).
Tiger Zinda Hai Review:
The story picks up from where the first film in the franchise left off.
Indian RAW agent Tiger (Salman Khan) and ISI agent Zoya (Katrina Kaif)
are married and living a peaceful life with their son. Eight years have
gone by since they decided to choose love over their missions. But their
plans will change very soon, with another mission (most impossible)
coming up for this sota hua Tiger.
Tiger’s ex-boss Shenoy (Girish
Karnad) tracks him down and wants him to rescue 25 Indian nurses who
are held hostage at a hospital by a dreaded terrorist organisation that
has taken over Iraq. From here, it’s a Salman Khan show all the way with
his star power and screen presence looming large, ably aided by Katrina
Kaif who jumps into the fray as 15 Pakistani nurses who are also held
hostage with the Indians need to be rescued. The other USP of this
mission is, that Tiger brings together Indian and Pakistani agents to
fight terror in Iraq, for the sake of humanity. And, not surprising then
that there is a fair sprinkle of patriotic one-liners, too. And all
this is happening with oodles of swag and style. (Obviously!)
The
film is visually stunning in parts and Salman Khan plays Tiger with
roaring confidence and dialogues packed with punch. Of course, his fans
get a true-blue Salman Khan moment when he bares his torso. However, the
screenplay often loses focus, slackening the film’s pace and our
attention. Director Ali Abbas Zafar had a lot of ammo in hand, with the
star power of Salman Khan and Katrina Kaif adding to that. But the
direction falters and he is unable to keep you riveted through the
film’s runtime. Supporting actors that make up the rescue mission team
are competent and Paresh Rawal delivers a dependable performance.
Katrina Kaif gets into action-girl mode, displaying some kick-ass
stunts. Meanwhile, the antagonist, Abu Usman (Sajjad Delafrooz), heading
the terrorist organisation, is effective in his role.
With such a
premise, the storyline needed to be far more compelling and the editing
much tauter. Needless to add, a lot of sequences defy logic, but at the
same time, there are many moments that will leave Salman Khan and
action film fans impressed.
Whether Tiger is Zinda or not for the next round, that’s for you to find out.
PADMAAVATI STORY: Rani Padmavati (Deepika Padukone) –
the wife of Maharawal Ratan Singh (Shahid Kapoor), is known for her
beauty and valour in 13th century India. She captures the fancy of the
reigning Sultan of Delhi, the tyrant Alauddin Khilji (Ranveer Singh),
who becomes obsessed with her and goes to great lengths to fulfill his
greed.
Summary / Analysis - Padmaavat
Spoiler alert! Please do not read the following plot summary if you have not seen the film.
In
13th century Afghanistan, Jalaluddin Khilji of the Khilji dynasty plans
to invade Delhi in a bid to spread his rule into India. His nephew
Alauddin Khilji returns from a hunt bringing him an ostrich as a gift,
which Jalaluddin had demanded. The latter initially does not remember
this demand, but recollects that his daughter Mehrunissa had expressed
her desire to possess one. Seeing his daughter’s happiness with her
gift, Jalaluddin asks to demand Alauddin to demand whatever he pleased
in return. Alauddin asks for Mehrunissa’s hand in marriage. At the
wedding, Alauddin shows his ravenous nature when he is caught by
Jalaluddin's courtier with another woman. Alauddin kills the courtier,
and joins the wedding celebrations. However, the woman he engaged with,
reveals that he committed a murder which shocks Mehrunissa.
In
Sinhala, the princess Padmavati stalks a deer on a hunt. She misses her
aim but then inadvertently injures a man who falls unconscious. She
takes him to her palace to tend to his wounds. Shortly, a group of men
are seen looking for this man when we discover that he is the Rajput
ruler Maharawal Ratan Singh who had travelled to Sinhala to acquire rare
pearls for his first wife Nagmati. They fall in love and are soon
married.
Jalaluddin executes his plan to
seize Delhi and then orders Alauddin to deal with a Mongol invasion on
the capital. Alauddin goes on to raid Devagiri in a bid to establish his
might. Jalaluddin is warned of Alauddin’s ambitions and travels to
Devagiri to handle him. Alauddin captures Devagiri's princess and makes
her part of his harem. Jalaluddin arrives and gifts the slave Malik
Kafur to Alauddin to appease him. Alauddin challenges Malik to kill
Jalaluddin’s guards to prove his loyalty. While Jalaluddin laughs it
off, Malik kills them while Alauddin seizes the opportunity to
assassinate a defenceless Jalaluddin, declaring himself Sultan.
Padmavati journeys to Mewar with Ratan Singh. Ratan Singh introduces her
to his royal priest, Raghav Chetan. To prove her worth as an
intelligent woman the priest quizzes her. After she correctly answers
him, Chetan begins to see her as a desirable asset. Later, Ratan and
Padmavati are getting intimate when Ratan suspects somene is watching
them. He throws a knife at the door. While they find no one there,
Padmavati sees blood on the knife. Ratan suspects Chetan and orders him
to his chambers under the pretext of catching the suspect. When he
arrives, Ratan discovers a wounded Chetan confirming he was the voyeur.
Chetan is banished from the kingdom for his act. All this infuriates
Nagmati who becomes jealous of Padmavati winning the affections of
Ratan. The banished Chetan travels to Delhi and seeks an audience with
Alauddin. He tells the Sultan of Padmavati's intellect and beauty. The
greedy Alauddin wants to possess such a unique woman, and invites the
Rajputs to Delhi.
The Rajputs turn him
down whidh infuriates the Sultan. He decides to attack Chittor and take
Padmavati for himself. But he soon realises that the fort is virtually
impenetrable after a number of failed attempts. Eventually he attempts a
new tactic and calls for a truce, realizing this is the only way to
enter the fort and get a chance to capture Padmavati. Under this
pretext, he is allowed to enter Chittor where he meets Ratan. After
extended conversations and interactions, he finally asks to see
Padmavati. The Rajputs initially reject his request and let him know
that he is alive only because he is a guest in their kingdom. Ratan
later gives in and agrees for him to see his wife, but allows it for
only a fleeting moment. In return, Alauddin invites Ratan to his
campsite but kidnaps him and takes him prisoner back to Delhi.
Alauddin’s only demand is to see Padmavati. Padmavati is pressurised to
meet Alauddin so she travels to Delhi. Alauddin’s reckless behaviour and
greed doesn’t win him many friends or followers. His own nephew seeks
to kill him but the assassination attempt fails, although Alauddin is
badly wounded. Mehrunissa receives Padmavati and marvels at her beauty.
She also realises that Padmavati truly loves Ratan and decides to help
them. Meanwhile the Rajput army prepares to attack their enemy during
their weekly prayers to catch them off guard. Padmavati manages to
rescue Ratan, but he insists on confronting Alauddin face to face. The
injured Alauddin is unable to retaliate but alerts his soldiers who are
attacked by the Rajputs dressed as women. Although Ratan and Padmavati
escape, the Rajput generals are killed.
Back
in Chittor, Padmavati is revered for the rescue. But Chittor is put on
alert since they know it’s a matter of time before Alauddin strikes
back. Ratan chooses to meet Alauddin in the field in battle. They face
each other and battle to the point that Ratan is able to incapacitate
Alauddin but just as he’s about to land the fatal blow, Alauddin’s army
fires arrows at him, eventually killing him. Padmavati realises the only
way to defeat Alauddin is by denying him the pleasure of capturing her
and all the Rajput women. When Alauddin breaches the palace, they all
proceed to commit jauhar/ sati in a massive fire.
Hate Story 4 Story: Two brothers compete against each
other to win the affection of a girl. But the girl has her own ulterior
motives to manipulate the brothers.
Hate Story 4 Review:
Revenge stories always make for good thrills. The Hate Story franchise
is built on that fact. In its fourth instalment, the franchise serves up
another tale of murder, deceit and thrills. This is a story that tries
to add a vindictive sense of justice to the scenario of crime against
women. This seemingly pro-feminist revenge drama plays out with the
cheap thrills of an erotic thriller and that just doesn’t add up. Had
director Vishal Pandya not used the usual clichés and stereotypical sex
elements, Hate Story IV could’ve been a story to root for. Sadly, that
just doesn’t happen.
There’s a distinct difference in the tone of
the two halves of the film. The first half of Hate Story IV plays out
with unabashed erotic thrills. There’s loads of cheesy dialogue alluding
to the fact that men have the right to objectify women and bed them.
The two brothers, Aryan (Vivan Bhatena) and Rajveer (Karan Wahi) spike
drinks, lie and cheat and do everything despicable to seduce women.
Tasha (Urvashi Rautela) plays the prim and propah girl looking for a way
to realise her starry dreams in London. Her beauty and appeal catches
the eye of both brothers and that’s how the competition between the two
kicks in. The second half changes gears and condemns the behaviour of
the men, turning them from cocky jocks into being vile antagonists. It’s
easy to hate them, because well, they are so bad.
Urvashi
Rautela has the main role and her character has plenty to offer. She
starts off as a girl dancing in a strip club, but as the story unfolds,
her character gets plenty of twists, turns and reveals. There’s a lot on
her table and the pretty actress handles the myriad emotions and shades
with ease. Karan Wahi also gets a character that has scope to perform
and the actor does make a positive impression. Vivan Bhatena, Ihana
Dhillon and Gulshan Grover also chip in with their respective
performances.
Hate Story 4 serves up a lot of twists and turns
but it’s all too predictable. Most of the clever story reveals are let
down by the fact that there’s just too much erotica on offer. Director
Pandya presents the movie in a slick package replete with the swanky
London setting. The music though doesn’t work out at all. The cheap
thrills really let down the punch of the story and the women-friendly
climax.
Story: Mr and Mrs Dubey, Sushant (Manoj Bajpayee) and Aparna (Tabu)
check in to a swanky resort in Mauritius with their daughter Titli.
Their girl goes missing from their suite and the desperate parents seek
the help of the celebrated Mauritius police officer Buddhu (Annu
Kapoor).
Review: The road to hell is paved with good
intentions they say. That’s exactly how Missing turns out. This mystery
movie has an interesting premise that fails to create the right impact. A
small girl goes missing in the dead of the night, but the parents of
this little girl run around in the exotic locales of a Mauritius resort
like headless chickens. In all fairness, you don’t expect shocked
parents to be composed in their behaviour, but the way things play out
in Missing, pushes the idea of suspension of disbelief, way beyond its
limits. This hotchpotch screenplay is full of formulaic movie tropes.
The execution is so amateur and the performances so absurd that the film
becomes unintentionally funny. One of the biggest problems
with the film is the fact that it’s based in a Mauritian location that
looks like the perfect honeymoon resort. It’s the last place you’d
expect to find terror. And yet, Manoj Bajpayee’s Sushant and Tabu’s
Aparna are presented in these exotic locales in picture perfect frames.
Sunny beaches and fancy gardens aren’t the places where you can see
yourself pulsating with fear or intrigue. The inconsistent performances
of Manoj Bajpayee and Annu Kapoor don’t help the prospects of the film
either. You don’t need an eye for detail to notice that Bajpayee’s
attempts at being flirtatious isn’t convincing. He just seems hopelessly
out of place. He does redeem himself during the latter parts of the
film, but it’s a classic case of being a little too late. Annu Kapoor as
the Indo-Mauritian version of Sherlock Holmes or Hercule Poirot, is
laughable. Even worse are his pronunciations of ‘merci’ and ‘s’il vous
plaît’. It doesn’t help that his surname is Buddhu. Tabu’s performance,
though inconsistent, is the only redeeming feature of this drab drama.
As
the film moves on, the situations, the characters and the plot become
more obnoxious. The suspense around the missing girl wears thin, with
every passing scene. By the time the climax arrives, unravelling the
mystery doesn’t matter anymore. Writer-director Mukul Abhyankar’s debut
film is a half-baked thriller. With all it’s complexity he had a strong
story at hand, but his vision and technique as a director doesn’t
supplement his creative abilities. The background score of the film is a
tad bit loud while the editing is lacklustre.
What good is a
thriller that’s not thrilling? It gets worse when you start laughing at
a mystery movie. Any and all prospect of this film is lost in the midst
of shoddy filmmaking.
Movie Information A battle-hardened army officer
squares off against drug lords and Russian henchmen to save his
ex-lover’s kidnapped daughter in the underbelly of Goa, India. Director: Ahmed Khan Starring: Tiger Shroff, Disha Patani, Shifuji Shaurya Bharadwaj, Randeep Hooda, Manoj Bajpayee, Prateik Babbar
