Race 3 is an upcoming Indian Hindi-language action thriller film directed by Remo D'Souza and produced under Tips Films. The film features Salman Khan, Anil Kapoor, Bobby Deol, Jacqueline Fernandez, Daisy Shah, and Saqib Saleem.
Music composed by: Pritam, Meet Bros, Vishal Mishra
Salman may be headlining the film but he doesn’t believe he is the star of the film – ergo, the focus on family. “We didn’t go for the star value, we went with the characters. They should justify that. It doesn’t matter who’s doing well and who isn’t. Everyone has been treated equally in the film. Once you watch it, you’ll realise this,” Salman said.
he next question, of course, is what changes were done to the script? Salman accepted that he hadn’t seen the first couple of Race films to get context. Instead, for Race 3, he added one of his earlier films to the mix. “Didn’t get time to watch them, but I knew the format. Just mixed a bit of Hum Aapke Hain Koun in it. In fact, I have never been a part of such a film.” Now you know why there are so many references to family in the new film.
You can also expect a good old multi-starrer. Calling Race 3 a full blown ‘musical-action bonanza’, the actor said, “Earlier, we used to have a ‘musical action bonanza’ which hasn’t come in a while. A film with big scale music, emotion, action, youth kind, which you watch, whistle in the end and go back home happy. This is one of those films, which I’ve never done at all. This film has a vibe that earlier Bachchan saab, Dharmendraji used to do.”
Housefull 3 is a Hindi comedy film and the third instalment in the
Housefull series. Starring Akshay Kumar, Abhishek Bachchan, Riteish
Deshmukh, Lisa Haydon, Jacqueline Fernandez and Nargis Fakhri, it’s
directed by Sajid-Farhad. Watch the full comedy film, Housefull 3,
online only on Hotstar.
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The film is a romantic
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Bunty (Abhishek Bachchan) and Teddy (Riteish Deshmukh). The three men
fall in love with the 'oh-so-sanskari' daughters of Batook Patel (Boman
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doesn't want his daughters to get married. Hotter Than The Hottest!
Katrina Kaif's New Bikini Pictures From Latest Vogue Photoshoot! One by
one, Sandy, Bunty and Teddy enters the house of Batook Patel as his
daughters' boyfriends and then the fun-drama begins. As it's a franchise
of Housefull, ' a series of confusion and lies' are an unavoidable part
of the story. Now, how the three convince Batook that they are a
perfect match for his daughters, forms the crux of the story.
Watch S3 Tamil movie online in HD DVD with English SUbs, Watch Singam movie online starring Surya, Anushka, Shruthi Haasan and Soori in main roles. Singam 3 has been directed by Hari and released worldwide in 530 theatres. The music for this film was done by Harris Jayaraj. Cast : Suriya, Anushka Shetty, Shruti Haasan, Director : Hari Genre : Action Masala Year Released : 2017 Verdict:
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Bajrangi Bhaijaan is a Bollywood drama film, directed by Kabir Khan and
starring Salman Khan, Kareena Kapoor, Harshaali Malhotra, Nawazuddin
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It’s about Pavan Kumar Chaturvedi (Khan), a simple, Hanuman bhakt who
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Name: Bajrangi Bhaijaan (2015)
Casts: Salman Khan, Kareena Kapoor, Harshaali Malhotra
Tiger Zinda Hai Story: It’s inspired by the real-life
incident of the rescue of Indian nurses held hostage in Iraq by
terrorists and at the helm of affairs of the mission is Indian RAW agent
Tiger (Salman Khan).
Tiger Zinda Hai Review:
The story picks up from where the first film in the franchise left off.
Indian RAW agent Tiger (Salman Khan) and ISI agent Zoya (Katrina Kaif)
are married and living a peaceful life with their son. Eight years have
gone by since they decided to choose love over their missions. But their
plans will change very soon, with another mission (most impossible)
coming up for this sota hua Tiger.
Tiger’s ex-boss Shenoy (Girish
Karnad) tracks him down and wants him to rescue 25 Indian nurses who
are held hostage at a hospital by a dreaded terrorist organisation that
has taken over Iraq. From here, it’s a Salman Khan show all the way with
his star power and screen presence looming large, ably aided by Katrina
Kaif who jumps into the fray as 15 Pakistani nurses who are also held
hostage with the Indians need to be rescued. The other USP of this
mission is, that Tiger brings together Indian and Pakistani agents to
fight terror in Iraq, for the sake of humanity. And, not surprising then
that there is a fair sprinkle of patriotic one-liners, too. And all
this is happening with oodles of swag and style. (Obviously!)
The
film is visually stunning in parts and Salman Khan plays Tiger with
roaring confidence and dialogues packed with punch. Of course, his fans
get a true-blue Salman Khan moment when he bares his torso. However, the
screenplay often loses focus, slackening the film’s pace and our
attention. Director Ali Abbas Zafar had a lot of ammo in hand, with the
star power of Salman Khan and Katrina Kaif adding to that. But the
direction falters and he is unable to keep you riveted through the
film’s runtime. Supporting actors that make up the rescue mission team
are competent and Paresh Rawal delivers a dependable performance.
Katrina Kaif gets into action-girl mode, displaying some kick-ass
stunts. Meanwhile, the antagonist, Abu Usman (Sajjad Delafrooz), heading
the terrorist organisation, is effective in his role.
With such a
premise, the storyline needed to be far more compelling and the editing
much tauter. Needless to add, a lot of sequences defy logic, but at the
same time, there are many moments that will leave Salman Khan and
action film fans impressed.
Whether Tiger is Zinda or not for the next round, that’s for you to find out.
PADMAAVATI STORY: Rani Padmavati (Deepika Padukone) –
the wife of Maharawal Ratan Singh (Shahid Kapoor), is known for her
beauty and valour in 13th century India. She captures the fancy of the
reigning Sultan of Delhi, the tyrant Alauddin Khilji (Ranveer Singh),
who becomes obsessed with her and goes to great lengths to fulfill his
greed.
Summary / Analysis - Padmaavat
Spoiler alert! Please do not read the following plot summary if you have not seen the film.
In
13th century Afghanistan, Jalaluddin Khilji of the Khilji dynasty plans
to invade Delhi in a bid to spread his rule into India. His nephew
Alauddin Khilji returns from a hunt bringing him an ostrich as a gift,
which Jalaluddin had demanded. The latter initially does not remember
this demand, but recollects that his daughter Mehrunissa had expressed
her desire to possess one. Seeing his daughter’s happiness with her
gift, Jalaluddin asks to demand Alauddin to demand whatever he pleased
in return. Alauddin asks for Mehrunissa’s hand in marriage. At the
wedding, Alauddin shows his ravenous nature when he is caught by
Jalaluddin's courtier with another woman. Alauddin kills the courtier,
and joins the wedding celebrations. However, the woman he engaged with,
reveals that he committed a murder which shocks Mehrunissa.
In
Sinhala, the princess Padmavati stalks a deer on a hunt. She misses her
aim but then inadvertently injures a man who falls unconscious. She
takes him to her palace to tend to his wounds. Shortly, a group of men
are seen looking for this man when we discover that he is the Rajput
ruler Maharawal Ratan Singh who had travelled to Sinhala to acquire rare
pearls for his first wife Nagmati. They fall in love and are soon
married.
Jalaluddin executes his plan to
seize Delhi and then orders Alauddin to deal with a Mongol invasion on
the capital. Alauddin goes on to raid Devagiri in a bid to establish his
might. Jalaluddin is warned of Alauddin’s ambitions and travels to
Devagiri to handle him. Alauddin captures Devagiri's princess and makes
her part of his harem. Jalaluddin arrives and gifts the slave Malik
Kafur to Alauddin to appease him. Alauddin challenges Malik to kill
Jalaluddin’s guards to prove his loyalty. While Jalaluddin laughs it
off, Malik kills them while Alauddin seizes the opportunity to
assassinate a defenceless Jalaluddin, declaring himself Sultan.
Padmavati journeys to Mewar with Ratan Singh. Ratan Singh introduces her
to his royal priest, Raghav Chetan. To prove her worth as an
intelligent woman the priest quizzes her. After she correctly answers
him, Chetan begins to see her as a desirable asset. Later, Ratan and
Padmavati are getting intimate when Ratan suspects somene is watching
them. He throws a knife at the door. While they find no one there,
Padmavati sees blood on the knife. Ratan suspects Chetan and orders him
to his chambers under the pretext of catching the suspect. When he
arrives, Ratan discovers a wounded Chetan confirming he was the voyeur.
Chetan is banished from the kingdom for his act. All this infuriates
Nagmati who becomes jealous of Padmavati winning the affections of
Ratan. The banished Chetan travels to Delhi and seeks an audience with
Alauddin. He tells the Sultan of Padmavati's intellect and beauty. The
greedy Alauddin wants to possess such a unique woman, and invites the
Rajputs to Delhi.
The Rajputs turn him
down whidh infuriates the Sultan. He decides to attack Chittor and take
Padmavati for himself. But he soon realises that the fort is virtually
impenetrable after a number of failed attempts. Eventually he attempts a
new tactic and calls for a truce, realizing this is the only way to
enter the fort and get a chance to capture Padmavati. Under this
pretext, he is allowed to enter Chittor where he meets Ratan. After
extended conversations and interactions, he finally asks to see
Padmavati. The Rajputs initially reject his request and let him know
that he is alive only because he is a guest in their kingdom. Ratan
later gives in and agrees for him to see his wife, but allows it for
only a fleeting moment. In return, Alauddin invites Ratan to his
campsite but kidnaps him and takes him prisoner back to Delhi.
Alauddin’s only demand is to see Padmavati. Padmavati is pressurised to
meet Alauddin so she travels to Delhi. Alauddin’s reckless behaviour and
greed doesn’t win him many friends or followers. His own nephew seeks
to kill him but the assassination attempt fails, although Alauddin is
badly wounded. Mehrunissa receives Padmavati and marvels at her beauty.
She also realises that Padmavati truly loves Ratan and decides to help
them. Meanwhile the Rajput army prepares to attack their enemy during
their weekly prayers to catch them off guard. Padmavati manages to
rescue Ratan, but he insists on confronting Alauddin face to face. The
injured Alauddin is unable to retaliate but alerts his soldiers who are
attacked by the Rajputs dressed as women. Although Ratan and Padmavati
escape, the Rajput generals are killed.
Back
in Chittor, Padmavati is revered for the rescue. But Chittor is put on
alert since they know it’s a matter of time before Alauddin strikes
back. Ratan chooses to meet Alauddin in the field in battle. They face
each other and battle to the point that Ratan is able to incapacitate
Alauddin but just as he’s about to land the fatal blow, Alauddin’s army
fires arrows at him, eventually killing him. Padmavati realises the only
way to defeat Alauddin is by denying him the pleasure of capturing her
and all the Rajput women. When Alauddin breaches the palace, they all
proceed to commit jauhar/ sati in a massive fire.
Hate Story 4 Story: Two brothers compete against each
other to win the affection of a girl. But the girl has her own ulterior
motives to manipulate the brothers.
Hate Story 4 Review:
Revenge stories always make for good thrills. The Hate Story franchise
is built on that fact. In its fourth instalment, the franchise serves up
another tale of murder, deceit and thrills. This is a story that tries
to add a vindictive sense of justice to the scenario of crime against
women. This seemingly pro-feminist revenge drama plays out with the
cheap thrills of an erotic thriller and that just doesn’t add up. Had
director Vishal Pandya not used the usual clichés and stereotypical sex
elements, Hate Story IV could’ve been a story to root for. Sadly, that
just doesn’t happen.
There’s a distinct difference in the tone of
the two halves of the film. The first half of Hate Story IV plays out
with unabashed erotic thrills. There’s loads of cheesy dialogue alluding
to the fact that men have the right to objectify women and bed them.
The two brothers, Aryan (Vivan Bhatena) and Rajveer (Karan Wahi) spike
drinks, lie and cheat and do everything despicable to seduce women.
Tasha (Urvashi Rautela) plays the prim and propah girl looking for a way
to realise her starry dreams in London. Her beauty and appeal catches
the eye of both brothers and that’s how the competition between the two
kicks in. The second half changes gears and condemns the behaviour of
the men, turning them from cocky jocks into being vile antagonists. It’s
easy to hate them, because well, they are so bad.
Urvashi
Rautela has the main role and her character has plenty to offer. She
starts off as a girl dancing in a strip club, but as the story unfolds,
her character gets plenty of twists, turns and reveals. There’s a lot on
her table and the pretty actress handles the myriad emotions and shades
with ease. Karan Wahi also gets a character that has scope to perform
and the actor does make a positive impression. Vivan Bhatena, Ihana
Dhillon and Gulshan Grover also chip in with their respective
performances.
Hate Story 4 serves up a lot of twists and turns
but it’s all too predictable. Most of the clever story reveals are let
down by the fact that there’s just too much erotica on offer. Director
Pandya presents the movie in a slick package replete with the swanky
London setting. The music though doesn’t work out at all. The cheap
thrills really let down the punch of the story and the women-friendly
climax.
Story: Mr and Mrs Dubey, Sushant (Manoj Bajpayee) and Aparna (Tabu)
check in to a swanky resort in Mauritius with their daughter Titli.
Their girl goes missing from their suite and the desperate parents seek
the help of the celebrated Mauritius police officer Buddhu (Annu
Kapoor).
Review: The road to hell is paved with good
intentions they say. That’s exactly how Missing turns out. This mystery
movie has an interesting premise that fails to create the right impact. A
small girl goes missing in the dead of the night, but the parents of
this little girl run around in the exotic locales of a Mauritius resort
like headless chickens. In all fairness, you don’t expect shocked
parents to be composed in their behaviour, but the way things play out
in Missing, pushes the idea of suspension of disbelief, way beyond its
limits. This hotchpotch screenplay is full of formulaic movie tropes.
The execution is so amateur and the performances so absurd that the film
becomes unintentionally funny. One of the biggest problems
with the film is the fact that it’s based in a Mauritian location that
looks like the perfect honeymoon resort. It’s the last place you’d
expect to find terror. And yet, Manoj Bajpayee’s Sushant and Tabu’s
Aparna are presented in these exotic locales in picture perfect frames.
Sunny beaches and fancy gardens aren’t the places where you can see
yourself pulsating with fear or intrigue. The inconsistent performances
of Manoj Bajpayee and Annu Kapoor don’t help the prospects of the film
either. You don’t need an eye for detail to notice that Bajpayee’s
attempts at being flirtatious isn’t convincing. He just seems hopelessly
out of place. He does redeem himself during the latter parts of the
film, but it’s a classic case of being a little too late. Annu Kapoor as
the Indo-Mauritian version of Sherlock Holmes or Hercule Poirot, is
laughable. Even worse are his pronunciations of ‘merci’ and ‘s’il vous
plaît’. It doesn’t help that his surname is Buddhu. Tabu’s performance,
though inconsistent, is the only redeeming feature of this drab drama.
As
the film moves on, the situations, the characters and the plot become
more obnoxious. The suspense around the missing girl wears thin, with
every passing scene. By the time the climax arrives, unravelling the
mystery doesn’t matter anymore. Writer-director Mukul Abhyankar’s debut
film is a half-baked thriller. With all it’s complexity he had a strong
story at hand, but his vision and technique as a director doesn’t
supplement his creative abilities. The background score of the film is a
tad bit loud while the editing is lacklustre.
What good is a
thriller that’s not thrilling? It gets worse when you start laughing at
a mystery movie. Any and all prospect of this film is lost in the midst
of shoddy filmmaking.
Movie Information A battle-hardened army officer
squares off against drug lords and Russian henchmen to save his
ex-lover’s kidnapped daughter in the underbelly of Goa, India. Director: Ahmed Khan Starring: Tiger Shroff, Disha Patani, Shifuji Shaurya Bharadwaj, Randeep Hooda, Manoj Bajpayee, Prateik Babbar
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Padman (2018) (Hindi)
Name: Padman (2018)
Casts: Akshay Kumar, Radhika Apte, Sonam Kapoor,
Amitabh Bachchan, Biju Menon, Sudhir Pandey, Rob Tunstall, Andreas
Pliatsikas, Maya Alagh
Size: 804 MB
Quality: 720p HDCam
Language: Hindi
Genres: Comedy, Drama
Padman (2018) Full Movie Free Download. Concerned about
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movie has now been made available online. Of late, the issue of piracy has
become worse for the Bollywood industry. Almost all the movies are getting
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In certain
occasions, films got leaked even before the official release, causing major
losses to the producers. Movies like Great Grand Masti and Manjhi: The Mountain
Man are some of the examples which got leaked even before release.
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